
On the rainy night, how the story of people who arrived from different backgrounds in a homestay, Piyali Dasgupta Satish, through his drama, has shown this, ‘Some people will say’ thinking, he has satirized the thinking. Chittaranjan Bhavan revolves around the five people found in a homestay on the rainy night, the story of the drama ‘This is Live’. The story of these five is the same, which is the story of all of us.
People, what will society say? The same question has become the most important question of our society today. Parents, siblings, husband and wife, friend-partner, want to see changing each other’s life in the concern of the people. This drama divided into five parts has been put in front of the audience with great beauty.
The way the director carried forward the drama by including a dead person in the laws of the family is really praise. In this era of dying theater, Piyali Dasgupta Satish raises the hope of returning again of the theater with his direction. When the play ended with the song ‘Kuch To Logge Kahgi’, the thunder of applause was not stopping in the hall.
Nilesh and Arundhati play a challenging character easily
At the end of every part of the play, the artist was singing songs, so much time was enough for the actors to prepare for the new part. The fourth and fifth part of the play killed. Viewers also laugh at the grandfather in the frame because the frame can not be imagined to speak a dialogue by hanging a dead person alive.
Dada became Dada Nilesh Singh made this difficult task easy, the way Dada was speaking about his Bengali daughter -in -law, he was the most capable of the play. Nilesh played more than one character in the drama like other actors, director Piyali Dasgupta Satish has directed him in a brilliant way.
Drama raises the distinction between LGBTQ to boy and girl
‘Cut all the trees and make road and hotels’ dialogue we hear at the beginning of the drama, it is important on uncontrolled construction work happening in the Himalayas.
In the drama, we also listen to our society, when a girl tells the rest of the people sitting in homestay that an unknown boy is married in our society, but a boy is prohibited from going somewhere with a friend. Wear shorts, wear up to the house, tomorrow you will speak bikini wearing mall ‘, the issue of starting the girls from home has been raised from home.
An artist shows his past life that he is a gay, because of the society he has to break his relationship and get married but his wife understands him and asks him to go with his friend. In this way we see that the directors also expect a change in our society through this drama.
The most important topic is this and the dialogue that has affected
The foundation of marriage institution has also been considered in the play. The expression of ideas between a couple is shown as it should be. Both politics, films, marriage, sex are openly talked about and this discussion seems necessary in every relationship.
The dialogues of the play are in English and Hindi, both of them are lifeless in languages. The boy’s dialogue with his father ‘Why does’NT all kind of job get the equal respect’ Father says ‘U can’t question this structure, our social is built in this structure’, shows our social intervention on the choice of someone’s jobs.
There is a need to change their mindset, not our clothes’, it opens the thinking of our society about clothes and puts it in front.
(Himanshu Joshi is from Uttarakhand and prestigious Umesh Doval Smriti Journalism Award. He has been writing for many newspapers, magazines and web portals.)
Disclaimer (Disclaimer): The ideas expressed in this article are personal views of the author.
(Tagstotranslate) kuch to log kahenge